Can the main character of a story be the antagonist?

The protagonist is the one who is the prime mover of the effort to achieve the goal. The antagonist is all about preventing the protagonist from achieving the goal. So, any character in a story can be the main character, not just protagonist or antagonist.

Where the main character is the antagonist?

In storytelling, the antagonist is the opposer or combatant working against the protagonist’s or leading characters’ goal (“antagonizing”) and creating the main conflict. The antagonist can be one character or a group of characters. In traditional narratives, the antagonist is synonymous with “the bad guy.”

How do you find the antagonist of a story?

In order to locate the antagonist, look for the story’s primary conflict and ask where that conflict originated. Foil: A foil is a character that contrasts with another character in order to better highlight their defining traits.

Does the antagonist change throughout the story?

What Is an Antagonist? The antagonist is the person or force that will move your protagonist toward growth and change throughout the story. The antagonist often takes the form of a villain, or someone who directly opposes the main character in many ways.

How do you make the main character antagonist?

How to Write a Villain Protagonist in 6 Steps

1. Mix character traits.
2. Keep the stakes high.
3. Use internal monologue.
4. Understand the character’s morality.
5. Build the backstory.
6. Consider your antagonist.

How do you create an antagonist character?

How to write a good antagonist:

1. Give an antagonist unsavoury goals like Sauron or Lord Voldemort.
2. Make your antagonist’s backstory believable.
3. Make your antagonist’s misdeeds require decisive action.
4. Show how your antagonist outwits opponents.
5. Reveal the power your antagonist has over other characters.

How do you identify the protagonist and antagonist?

Protagonist and antagonist and are nouns that refer to characters in a story.

1. The protagonist is the main character, often a hero.
2. The antagonist is the character who opposes the protagonist, often a villain.

How do you find the protagonist and antagonist?

How do you do an antagonist?

Can the main character be the protagonist and antagonist?

Sometimes, there is no clear distinction of whether a character is a protagonist or an antagonist. Whether their intentions are unknown, their actions are both positive and negative, or they are their own worst enemy, a primary character can be both a protagonist and an antagonist at the same time.

What are some examples of protagonist and antagonist?

More examples of protagonists and antagonists

• Pride and Prejudice. Protagonist: Elizabeth Bennet. Antagonist: Her prejudice (particularly against Darcy)
• The Strange Case of Dr. Jekyll and Mr. Hyde.
• Infinity War. Protagonist: A veritable hoard of Marvel superheroes. Antagonist: Thanos.
• 2 responses. Krissmanso says:

Should I write from the antagonist’s point of view?

Writing from the antagonist’s perspective can be a really valuable tool for developing the story even when the antagonist’s point of view won’t be appearing in the main narrative, i.e. even when it’s just an exercise. Knowing how the bad guy thinks can totally change how you write his/her behavior.

Does the point of view of the protagonist affect the story?

Unless it raises the tension. A great “antagonist-as-a-character” point of view keeps the outcome uncertain, but at the same time, shows why them winning is a very bad thing for the protagonist. It helps establish the stakes and what the protagonist needs to avoid. Some readers will even root for them a little.

Should you walk in your antagonist’s shoes?

When you walk a mile in your antagonist’s shoes, you have a much better understanding of who they are, what they want, and what they’re willing to do to get it. Writing as the antagonist is a tricky point of view to do, because much of a novel’s tension comes from readers wondering what’s going to happen next.

How do you make an antagonist feel like a villain?

Let the antagonist’s narrative and internalization reflect who they are. It’s easy to let your views about the antagonist color their scenes, because they’re the bad guy. Bad guys are bad, so you just focus on them “being evil” and turn them into a cardboard villain with no layers.